Completed
Natsunagu!
After earthquakes suddenly took place in the Kumamoto Prefecture, Natsuna Keyaki lost contact with her dearest online friend, Itsuki. With nothing but a drawn picture of the landscape, Natsuna embarks on a journey from Tokyo to Kumamoto to find her.
When Natsuna gets lost in a rural area of the disaster-stricken prefecture, she encounters a policeman and an energetic middle school girl named Izumi Chiba. Izumi, along with her hospitable family members, offers Natsuna shelter and information to assist her in her quest. With these kind locals helping her on every step of the way, Natsuna moves closer to discover what happened to Itsuki.
[Written by MAL Rewrite]
When Natsuna gets lost in a rural area of the disaster-stricken prefecture, she encounters a policeman and an energetic middle school girl named Izumi Chiba. Izumi, along with her hospitable family members, offers Natsuna shelter and information to assist her in her quest. With these kind locals helping her on every step of the way, Natsuna moves closer to discover what happened to Itsuki.
[Written by MAL Rewrite]
TV
4 min per ep
Keep Your Hands Off Eizouken!
Midori Asakusa sees the world a bit differently. Always having her nose in a sketchbook, Asakusa draws detailed landscapes and backgrounds of both the world around her and the one within her boundless imagination. Even the simple act of doodling on a wall evolves into an emergency repair on the outer hull of her spaceship. She is only brought back to reality by her best friend Sayaka Kanamori. The pair are stark opposites, with Asakusa's childlike wonder contrasted by Kanamori's calculated approach to life.
After a chance encounter where the two "save" the young model Tsubame Misuzaki from her overprotective bodyguard, a connection instantly sparks between Asakusa and Misuzaki, as both share an intense passion for art and animation. Whereas Asakusa is interested in backgrounds and settings, Misuzaki loves drawing the human form. Sensing a money-making opportunity, Kanamori suggests that they start an animation club, which they disguise as a motion picture club since the school already has an anime club. Thus begins the trio's journey of producing animation that will awe the world.
From the brilliant mind of Masaaki Yuasa, Eizouken ni wa Te wo Dasu na! is a love letter to animation, wildly creative in its approach, and a testament to the potential of the medium.
[Written by MAL Rewrite]
After a chance encounter where the two "save" the young model Tsubame Misuzaki from her overprotective bodyguard, a connection instantly sparks between Asakusa and Misuzaki, as both share an intense passion for art and animation. Whereas Asakusa is interested in backgrounds and settings, Misuzaki loves drawing the human form. Sensing a money-making opportunity, Kanamori suggests that they start an animation club, which they disguise as a motion picture club since the school already has an anime club. Thus begins the trio's journey of producing animation that will awe the world.
From the brilliant mind of Masaaki Yuasa, Eizouken ni wa Te wo Dasu na! is a love letter to animation, wildly creative in its approach, and a testament to the potential of the medium.
[Written by MAL Rewrite]
TV
25 min per ep
Room Camp
During an Outdoor Activities Club meeting, Nadeshiko Kagamihara, Aoi Inuyama, and Chiaki Oogaki debate what it means to be a real Yamanashi native. Somewhere along the line, Chiaki brings up the Yamanashi Kids' Stamp Rally, which Nadeshiko has never heard of. The rally encourages one to visit famous places in the prefecture and collect stamps; those who complete the rally will win a year's worth of Minobu steamed buns. Enticed by the humongous food prize, Nadeshiko is set on participating.
Follow the Outdoor Activities Club as they travel around the Yamanashi prefecture to collect stamps and explore what the region has to offer!
[Written by MAL Rewrite]
Follow the Outdoor Activities Club as they travel around the Yamanashi prefecture to collect stamps and explore what the region has to offer!
[Written by MAL Rewrite]
TV
3 min per ep
Keep Your Hands Off Eizouken!
Midori Asakusa sees the world a bit differently. Always having her nose in a sketchbook, Asakusa draws detailed landscapes and backgrounds of both the world around her and the one within her boundless imagination. Even the simple act of doodling on a wall evolves into an emergency repair on the outer hull of her spaceship. She is only brought back to reality by her best friend Sayaka Kanamori. The pair are stark opposites, with Asakusa's childlike wonder contrasted by Kanamori's calculated approach to life.
After a chance encounter where the two "save" the young model Tsubame Misuzaki from her overprotective bodyguard, a connection instantly sparks between Asakusa and Misuzaki, as both share an intense passion for art and animation. Whereas Asakusa is interested in backgrounds and settings, Misuzaki loves drawing the human form. Sensing a money-making opportunity, Kanamori suggests that they start an animation club, which they disguise as a motion picture club since the school already has an anime club. Thus begins the trio's journey of producing animation that will awe the world.
From the brilliant mind of Masaaki Yuasa, Eizouken ni wa Te wo Dasu na! is a love letter to animation, wildly creative in its approach, and a testament to the potential of the medium.
[Written by MAL Rewrite]
After a chance encounter where the two "save" the young model Tsubame Misuzaki from her overprotective bodyguard, a connection instantly sparks between Asakusa and Misuzaki, as both share an intense passion for art and animation. Whereas Asakusa is interested in backgrounds and settings, Misuzaki loves drawing the human form. Sensing a money-making opportunity, Kanamori suggests that they start an animation club, which they disguise as a motion picture club since the school already has an anime club. Thus begins the trio's journey of producing animation that will awe the world.
From the brilliant mind of Masaaki Yuasa, Eizouken ni wa Te wo Dasu na! is a love letter to animation, wildly creative in its approach, and a testament to the potential of the medium.
[Written by MAL Rewrite]
TV
25 min per ep
ID: INVADED
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